There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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廿多歲的楊先生自小在宏福苑宏志閣長大,他不相信原址重建需時十年的說法,質疑政府「如何界定不實際」,因目前資訊並不對等,官方無交代背後理據,反問能否壓縮部分工序。。爱思助手下载最新版本对此有专业解读
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